Arts

Introduction by film historian and curator Steve Anker. Guest speaker Presented by the UCLA Film & Television Archive, Los Angeles Filmforum/Rotations and the Academy Museum. Please note: This screening takes place at the Academy Museum, 6067 Wilshire Blvd., Los Angeles, CA 90036 Total runtime: 74 min.

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Introduction by film scholar Steve Anker. Presented by the UCLA Film & Television Archive, Los Angeles Filmforum/Rotations and the Academy Museum.

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Q&A with filmmaker Charles Burnett and Ashley Clark, author of The World of Black Film: A Journey Through Cinematic Blackness in 100 Films.

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In person: Introduction, including a brief talk, by Artel Great, associate professor, San Francisco State University School of Cinema, and author of The Black Pack: Comedy, Race, and Resistance. Q&A with actor Anne-Marie Johnson and Spring Mooney, daughter of comedian and actor Paul Mooney.

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Celebrate Several Eternities in a Day: Form in the Age of Living Materials and other new exhibitions with galleries open late and music in the courtyard. Food and drink will be available for purchase all night. Learn more here: https://hmmr.buzz/springopen26 This event is free and open to the public. The party starts early for Members! Become a Hammer Member and receive priority entry beginning at 7PM. Members at the Impact level and above ($500+) are also invited to attend the Director’s Reception, prior to the public celebration, featuring cocktails and bites. Join today.

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A Depression era-set Southern Gothic thriller, The Night of the Hunter tells an adult story through the eyes of children. Actor-turned-director Charles Laughton described it as a “fairy tale of the Big Bad Wolf’s pursuit of the Little Pigs.” Robert Mitchum stars as the wolf in preacher’s clothing pursuing the two children of a widow (Shelley Winter) who know about a stash of ill-gotten loot. A dream-like work thanks in part to the unique cinematography by Stanley Cortez, it turns feverishly on dualities — heaven and hell, good versus evil, the sacred and profane — while paying homage to the silent era with Lillian Gish also starring.—Theater Manager Lauren Brown Director: Charles Laughton. Screenwriters: James Agee, Charles Laughton. With: Robert Mitchum, Shelley Winters, Lillian Gish.

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UCLA CREATIVES ??????!!! De Neve Studios has the event for YOU to meet like minded people... Artists just like YOU ??!!! Join the Learning Centers' very own MUSIC TEAM for an Artist Meet-Up, bring a friend, EVERYONE is welcome ??!!! Snacks will be provided, so we want to see you there, making connections, new friends, or learning what we resources we have for you to go far in your music career ??!!

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Introduction by Gerardo Fueyo Bros, consul general of Spain in Los Angeles, and Gonzalo del Puerto, cultural director, Instituto Cervantes Los Ángeles. 70-minute presentation by historian Silvia Ribelles de la Vega, followed by a Q&A with Ribelles moderated by May Hong HaDuong, director, UCLA Film & Television Archive. Presented in partnership with The Packard Humanities Institute, the Consulate General of Spain in Los Angeles, and the Instituto Cervantes Los Ángeles. Marking the 90th anniversary of the outbreak of the Spanish Civil War (1936–1939), Silvia Ribelles de la Vega, a scholar and historian at The Packard Humanities Institute, presents a program featuring seldom-seen views of the war, drawn from the Hearst Metrotone News collection. The preservation of and access to the collection have been made possible only through the incredible efforts of The Packard Humanities Institute, in collaboration with the UCLA Film & Television Archive, to expand access to one of the most significant newsreel archives of the 20th century. This collection of 27 million feet of newsreels includes approximately 288 reels of film related to the Spanish Civil War. At the time, newsreels — short-form, theatrically exhibited news stories — were often the only moving image records of unfolding events available to international audiences. Hearst cameramen covered the conflict extensively and, remarkably, filmed from both sides of the war. Ribelles’ presentation will move chronologically from 1936 to 1939 and feature not only edited newsreels but also selections from longer, previously unseen footage. Describing the Hearst Metrotone News collection as “a gem for any researcher,” Ribelles highlights the opportunities this newly accessible material offers to scholars and history enthusiasts alike. Drawing on production records, maps and related archival documents, she will examine how the newsreels were filmed, edited and circulated, and how studying them today can surface overlooked histories and reshape our understanding of the Spanish Civil War. 90 years after a conflict that tore a nation apart, these newsreels stand as vital audiovisual evidence and as a testament to the enduring impact of making archival collections accessible to all. The Archive is grateful to The Packard Humanities Institute (PHI) for its role as the driving force in the project to share the Hearst Metrotone News Collection for research, study and public access. To explore more than 20,000 news stories preserved and made accessible by PHI, including unedited materials featured in this program, visit newsreels.net.

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All Family Flicks screenings are free admission. Seating is first come, first served. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. Singin’ in the Rain U.S., 1952 Gene Kelly and Debbie Reynolds shine in perhaps the greatest Hollywood musical of all time. Propelled by a crackling script and exuberant song-and-dance routines, Kelly plays a silent movie star trying to make the leap to talkies, while Reynolds’ struggling chorus girl finds her entry into Hollywood no less complicated. With Donald O’Connor delivering the delirious gags, this timeless classic will leave you with a glorious feeling. 35mm, color, 103 min. Director: Gene Kelly, Stanley Donen. Screenwriter: Betty Comden, Adolph Green. With: Gene Kelly, Donald O’Connor, Debbie Reynolds. Recommended for ages 6+ Part of: Family Flicks

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Q&A with filmmaker Efraín Gutiérrez and Distinguished Professor Chon Noriega, UCLA School of Theater, Film and Television. Presented in partnership with the UCLA Chicano Studies Research Center. Funding for this screening is provided by the Hugh M. Hefner Classic American Film Program. Considered the first Chicano feature, Efraín Gutiérrez’s landmark independent film Please, Don’t Bury Me Alive! (¡Por favor, no me entierren vivo!) was believed lost for years until UCLA Distinguished Professor Chon Noriega tracked down the director and relocated elements to the UCLA Film & Television Archive, where collaborative restoration efforts brought the film back to life. Incorporating Chicano forms of popular theater and music, the bilingual film offers a rhythmic, in-depth look at 1970s-era South Texas Chicano culture, as its central character questions his place in a society that undervalues Latinos, so many of whom had been killed in the Vietnam War. A historic, influential hit in regional theaters, the film’s tremendous impact on Chicano cinema was further cemented in 2014, when it was named to the National Film Registry for its historic, cultural, and artistic significance. Today, in a moment when visibility itself can feel precarious, the film’s call to live boldly in defiance of erasure resonates as powerfully as it did 50 years ago.

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Co-presented with the UCLA Department of Art History as part of the 2025-26 UCLA Art Council Distinguished Scholar Lectureship in Art History Join Hilton Als and Hammer Museum Director Zoë Ryan for readings of work-in-progress and a conversation on curating. Als’ projects range from the landmark Hammer exhibition Joan Didion: What She Means to his upcoming September 2026 show at the Alex Berns Gallery in Tribeca. His exhibitions spotlight artists like Alice Neel and explore writers such as Didion, James Baldwin, Toni Morrison, and Jean Rhys, examining the intersection of visual art and literature and offering fresh insight into curatorial practice. Learn more here: https://hmmr.buzz/als-ryan-curate

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In person: Introduction by UCLA AMIA Student Chapter members Clare Britton and Molly Regan. Guest speaker Presented by the UCLA Film & Television Archive and the UCLA AMIA Student Chapter. Avant-garde cinema represents films that are experimental or innovative, typically rejecting traditional narrative structures while exploring abstract concepts and emphasizing visual and aural elements. Avant-garde animation often utilizes techniques that abstract form, defy continuity and emphasize musicality. Programmed by Molly Regan. Notes written by Clare Britton and Molly Regan.

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This concert featuring Ambroise Aubrun (violin) and Steven Vanhauwaert (piano) pays tribute to the refined tradition of musical salons, tracing their influence from nineteenth-century Vienna to early twentieth-century Los Angeles. At its heart is Guillaume Lekeu’s Violin Sonata, performed in homage to Alfred Megerlin, the Belgian violin virtuoso and concertmaster of the Los Angeles Philharmonic in the 1920s. Through works by Schubert, Fauré, Debussy and others, the program evokes the elegance, intimacy, and cultural dialogue that defined salon music across generations and continents.

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In person: Introduction by UCLA AMIA Student Chapter Programmer Noah Brockman. Q&A with directors Greg Watkins and Caveh Zahedi. Presented by the UCLA Film & Television Archive and the UCLA AMIA Student Chapter. This program explores how reenactment exposes cinema’s inherent nature to simultaneously depict, reconstruct and reinterpret. In these films, our subjects perform their own stories, exploring the productive tensions between reality, art and representation on-screen. Programmed by Noah Brockman.

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Made possible by the John H. Mitchell Television Programming Endowment. Premiering in 1990, In Living Color exploded onto the Fox Television Network, reinvigorating the sketch comedy genre by showcasing a multiracial ensemble unafraid of controversy. Created by trailblazing multi-hyphenate Keenen Ivory Wayans, the innovative series turned primetime into a cultural battlefield, uproariously harnessing satire and spectacle to explore issues of race, class and celebrity. In his book, The Black Pack: Comedy, Race, and Resistance, author Artel Great situates In Living Color within the broader lineage of Black sketch comedy, illuminating how the innovative series served as an industrial weapon, seizing time, space and cultural power, often forcing America to laugh at what it preferred to ignore. In the process, the hit series won the Primetime Emmy Award for Outstanding Variety, Music or Comedy Series in 1990. Helping to launch a breakout cast of highly gifted comedians that included David Alan Grier, Daymon Wayans, Kim Wayans, Tommy Davison, Jamie Foxx and Jim Carrey, In Living Color introduced a lasting lexicon of original characters and catchphrases to pop culture, from Homey D. Clown (“Homey, don’t play that”) to Men on Film (“two snaps up”) that continue to resonate long after the series' final broadcast on Fox in 1994. Join us for a quartet of hilariously provocative episodes of In Living Color curated and introduced by author Artel Great.

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In person: Introduction by Artel Great, associate professor, San Francisco State University School of Cinema, and author of The Black Pack: Comedy, Race, and Resistance. Here Eddie Murphy stands at the center of the Black Pack as Prince Akeem, heir to the throne of Zamunda, who leaves royal luxury for Queens, New York, in search of love on his own terms. The most commercially successful Black comedy feature of its era, this blockbuster is also a case study in power and authorship, as Murphy gives a tour de force performance of multiple characters and earns a “story by” credit. Ultimately, the film shows how box office clout enabled Black cultural specificity while embedding sharp critiques of race, class and respectability within mainstream studio comedy. Director: John Landis. Screenwriter: David Sheffield, Barry W. Blaustein. With: Eddie Murphy, Arsenio Hall, James Earl Jones.

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A Talent Showcase for UCLA Students, Faculty & Staff on the Sunset Plaza Stage

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In person: Introduction by Artel Great, associate professor, San Francisco State University School of Cinema, and author of The Black Pack: Comedy, Race, and Resistance. Q&A with Great, The Five Heartbeats cast member Tico Wells and UCLA Associate Professor Scot Brown, Department of History.

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The German-based ATOS Trio will perform in Los Angeles for the first time at the Clark Library with selections from Joseph Haydn, Gaspar Cassadó, and Franz Schubert. Tickets are limited and go on sale at 12 noon on Tuesday, March24. Please visit the event website for full details.

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In person: Introduction by Artel Great, associate professor, San Francisco State University School of Cinema, and author of The Black Pack: Comedy, Race, and Resistance. Q&A with Great and photographer Bruce Talamon. Harlem Nights marks the only film written, directed, produced by and starring Eddie Murphy. Set in 1930s Harlem, the film imagines a world of Black nightlife, entrepreneurship and survival amid gangsters and corrupt cops. Anchored by a jazzy score blending big band and Duke Ellington standards, the film unites three generations of Black comedy — Redd Foxx, Richard Pryor and Murphy — alongside an overflowing ensemble cast. Often misunderstood on release, Harlem Nights stands as a bold assertion of authorship and creative control, envisioning Black autonomy over space, style and destiny. Director/Screenwriter: Eddie Murphy. With: Eddie Murphy, Richard Pryor, Redd Foxx, Jasmine Guy, Della Reese.

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Talent show with performances by UCLA student to showcase their artistic talents.

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Unleash your creativity and innovation at Maker Madness, UCLA’s ultimate hands-on event in the Makerspace! This is your chance to design, build, and personalize items that make your Bruin experience even better. Whether you’re crafting dorm essentials, creating study tools, or prototyping your next big idea, Maker Madness is all about turning imagination into reality.

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