Finals Week

Please join us for the second Dialogue across Difference Faculty Fellows Program Information Session hosted by the UCLA Teaching and Learning Center and the UCLA Dialogue across Difference Initiative on Monday, March 16, 2026, 11am-12pm on Zoom. For more information about the program, visit https://teaching.ucla.edu/programs/dad-faculty-fellows/ Please contact instructorsupport@teaching.ucla.edu if you have any questions.

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Join us for a fireside chat with Professor Nicole Jefferson Asher of the John Wells Division of Writing for Screen and Television at the USC School of Cinematic Arts alongside TFT’s Film, Television and Digital Media Professor George Huang. The discussion will center on the state of screenwriting in the age of microdramas and other changes at this historic juncture in the industry. Professor Nicole Jefferson Asher is an alumna of the MFA Directing and Production at TFT; and Professor George Huang is an alumnus of the Stark program at USC.

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UCLA F-1 visa students, do you want to know more about off-campus employment authorization? Join us on one of our weekly CPT webinars hosted by the Dashew Center staff to learn more!

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These meetups are for people who make websites. Join us every other week, on Wednesday at 11am, to ask any questions you may have about making websites at UCLA.

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Event Organized by the UC Office of the President Created for beginners and non-specialists, this webinar series offers practical guidance for improving the accessibility of everyday digital content. Sessions focus on basic techniques and built-in tools you can start using right away to make your content more accessible. Videos & online calls require different accessibility considerations than documents or websites. In this session, we will discuss what you can do to ensure your audio/visual content – including live meetings – is as accessible as possible to people with disabilities.

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Are you applying to the Public Affairs major this year? Join us at the Public Affairs Major Application Information Session to learn about the major application eligibility criteria and application process! The major application information sessions are open to students who are applying to the Public Affairs major this Winter 2026. All Major Application Information Sessions are the same. Please register to attend the session that best fits your schedule. Access the major application information on our website at: https://luskin.ucla.edu/undergraduate-program/public-affairs-major-admissions/current-students#toggle-id-4 Questions? For questions, contact the Public Affairs Undergraduate Program via MyUCLA Message Center at https://luskin.ucla.edu/undergraduate-program/contact-us.

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Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event. A Face in the Crowd U.S., 1957 “What do I get out of this?” asks Andy Griffith’s “Lonesome” Rhodes of Patricia Neil’s radio producer touring an Arkansas jail for local musical talent. In his rise to fame and influence, Rhodes’ narcissistic motivation remains the same throughout A Face in the Crowd, no matter what Everyman platitudes people project on him. Radio gets him started but television is the new medium that vaults him to the pinnacle of political power. With McCarthyism still in the air, director Elia Kazan and screenwriter Budd Schulberg pitch a darker take on populism than Frank Capra’s in Meet Doe Joe, but they still share a faith in the American public’s natural resistance to authoritarian appeals that, for all the film’s prophetic bone fides, feels naive in retrospect.—Senior Public Programmer Paul Malcolm 35mm, b&w, 126 min. Director: Elia Kazan. Screenwriter: Budd Schulberg. With: Andy Griffith, Patricia Neal, Anthony Franciosa. 35mm preservation print courtesy of the UCLA Film & Television Archive. Preserved by the UCLA Film & Television Archive with funding provided by The Film Foundation and the Hollywood Foreign Press Association. Part of: From John Doe to Lonesome Rhodes: Antifacism from the Archive

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